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Download e-book for kindle: Releasing the image : from literature to new media by Jacques Khalip, Visit Amazon's Robert Mitchell Page, search

By Jacques Khalip, Visit Amazon's Robert Mitchell Page, search results, Learn about Author Central, Robert Mitchell, , Giorgio Agamben, Cesare Casarino, Geimer Peter Geimer, Mark Hansen

ISBN-10: 080476137X

ISBN-13: 9780804761376

ISBN-10: 0804761388

ISBN-13: 9780804761383

ISBN-10: 0804779112

ISBN-13: 9780804779111

It has turn into a general that "images" have been imperative to the 20 th century and that their function can be much more robust within the twenty-first. yet what's a picture and what can a picture be? Releasing the Image is aware photographs as anything past mere representations of items. liberating photographs from that functionality, it indicates them to be self-referential and self-generative, and during this approach able to generating kinds of engagement past spectatorship and subjectivity. This figuring out of pictures owes a lot to phenomenology—the paintings of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze's post-phenomenological paintings. The essays integrated the following disguise old classes from the Romantic period to the current and handle a number of issues, from Cézanne's portray, to photographs in poetry, to modern audiovisual paintings. They exhibit the classy, moral, and political stakes of the venture of liberating photographs and galvanize new methods of enticing with embodiment, corporation, heritage, and technology.

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The “zone of indistinction between bio-politics and production” is symptomatic of an era where life and labor-power are separated from one another: life is fetishized while labor-power is hopelessly abused in the belief that “life” might yet be redeemed if production is properly managed. 56 In a close reading of Peter Friedman and Tom Joslin’s Silverlake Life: The View from Here, Casarino discovers an evocation of the life-image in terms that are irreducible to the logic of bio-political spectacularization that the film registers, but distances itself from otherwise.

T. ”53 While these lives and loves of images often have been treated as primarily visual in nature, the four essays in this section all complicate this premise by considering new media in relationship to mental images (Hansen), sound (Sobchack and Murray), and the “life-image” (Casarino). Mark Hansen’s “From Fixed to Fluid: Material-Mental Images Between Neural Synchronization and Computational Mediation” reminds us that the rise of new media technologies has also been paralleled by a reemergence of the concept of mental images in cognitive psychology, and, more recently, cognitive neuroscience.

However, not long thereafter the scholar Pierre Lamy was called upon to investigate the matter and developed an exceedingly sober explanation for the strange occurrence. In the missal, the text of the Last Supper was written in black letters, and only the climax of the passage—the words Hoc est corpus meum—was inscribed in red ink. Lamy knew that black ink comprised four parts essence of turpentine and four parts oil, and was therefore extremely greasy. The red ink, on the other hand, contained considerably less oil and had had vermillion added to it, and was as a result very dry in comparison to the oily black ink.

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Releasing the image : from literature to new media by Jacques Khalip, Visit Amazon's Robert Mitchell Page, search results, Learn about Author Central, Robert Mitchell, , Giorgio Agamben, Cesare Casarino, Geimer Peter Geimer, Mark Hansen


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